Research and planning represents an integral part of the weaving and design process. It is important in order to understand exactly what a project needs to achieve, a period in history a fabric needs to reflect, how it is going to look and be used in a specific interior.
At Humphries Weaving we undertake in-depth research for our clients. Since the early 1970s, we have worked on numerous prestigious schemes, collaborating with esteemed academics, decorators, architects and contemporary design practices. During this time, we have built strong relationships with national museums and their collections.
Through the completion of projects we have developed our very own extensive archives of textile documents, artwork and colour references. We use these resources to supply our clients with detailed advice and recommendations when it comes to designing and restoring interiors and furnishings.
As British manufacturers we are on hand to advise on specific types of weave, fabric construction, yarn choices and the production process.
At Humphries Weaving every project is special and unique and we are passionate about recommending the best, high quality solutions for our clients.
The images in the case studies below highlight some of the textile research and processes that Humphries Weaving undertake in order to bring a project from ideas and inception to realisation.
Humphries Weaving pieced together the design for The Blue Drawing Room, The Family Bedchamber and The Family Parlour at Dumfries House from remaining fragments discovered on a chair from the house that was thought to be the original covering. The design was also found in the Humphries archive and redrawn to recreate the original design.
The damask in pure silk for festoon curtains and upholstery is woven narrow width, to accurately replicate the historical importance of the fabric.
Humphries Weaving worked closely on the important restoration of the George II State Bed and chamber, with the house curator, Denna Garrett and independent textile historian Annabel Westman. We reproduced the fabric on the George II State Bed to make new treatments for the headboard and window drapes.
Pure silk damask in crimson and gold for the refurbishment of the George II State Bed and State Bedroom window drapes. The design was narrow woven and redrawn from the existing early 18th Century bed furnishings.